Rossini’s success in Italy in the early 1820s was certainly not echoed in France, where he was regarded as “an ill-bred parvenu, whose cheap popularity was an insult to a great musical tradition”. Stendhal was the first of his contemporaries to recognize the genius of this important Italian composer. Besides being a fascinating and penetrating account of the Italian composer’s most creative years, and of contemporary musical events and opinions, this work is one of the finest items in the Stendhalian literary canon. Details of Rossini’s early life are followed by penetrating discussions of the operas, libretti, personalities of the period and Rossini’s own character.

Сыр Буррата, настоящая итальянская классика наравне с Пармезаном и Горгонзолой. Нежный мешочек из моцареллы, с начинкой из нежных, густых сливок и сырных нитей. Может быть как самостоятельным блюдом, так и подходит для пасты, пиццы, салатов.

**Раковина Melana MLN-78105** — современный и стильный элемент интерьера ванной комнаты. Накладная чаша устанавливается на столешницу или тумбу, имеет размеры 46 × 32,5 × 13,5 см. Страна производства — Китай, гарантия — 5 лет. ### Особенности - Модель изготовлена из безопасного фаянса, покрыта прочной защитной глазурью. - Изделие окрашено в белый цвет. В центре чаши располагается отверстие для сифона. - Отверстия для перелива и смесителя отсутствуют. Последний крепится на той же поверхности, что и раковина. - Уплотнение соединения раковины со столешницей осуществляется при помощи силиконового герметика. ### Преимущества - Керамическая раковина не впитывает и не задерживает загрязнений, при контакте с горячей водой не выделяет неприятных запахов. - Все внешние и внутренние углы чаши закруглены. Это обеспечивает простоту ухода и безопасность эксплуатации изделия. - Вокруг раковины на столешнице и под ней образуется свободное пространство, которое можно рационально использовать. - Конструктивные особенности и компактные размеры позволяют установить изделие в любом удобном месте. Как выбрать смеситель для ванной: https://leroymerlin.ru/advice/santehnika/kak-vybrat-smesitel-dlya-vannoy/

Set against a memorable backdrop of Lucinda Riley's trademark evocative locations, The Italian Girl unfolds into a poignant and unforgettable tale of love, betrayal and self-discovery. Nothing sings as sweetly as love, or burns quite like betrayal. Rosanna Menici is just a girl when she meets Roberto Rossini, the man who will change her life. In the years to come, their destinies are bound together by their extraordinary talents as opera singers and by their enduring but obsessive love for each other - a love that will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by irreversible events from the past . . . Rosanna's journey takes her from humble beginnings in the back streets of Naples to the glittering stages of the world's most prestigious opera houses.

«Un vieillard amoureux pretend epouser demain sa pupille ; un jeune amant plus adroit le previent, et ce jour meme en fait sa femme, a la barbe et dans la maison du tuteur. Voila le fond, dont on eut pu faire, avec un egal succes, une tragedie, une comedie, un drame, un opera, et c?tera.» C'est ainsi que Beaumarchais lui-meme presente Le Barbier de Seville qui en 1775 triomphe rapidement, puis connait un succes durable : Marie-Antoinette elle-meme jouera le role de Rosine en 1785 ; deux livrets d'opera en seront tires pour Paesiello et Rossini. C'est que fantaisie verbale et puissance dramatique offrent au spectateur une piece dont l'action reste suspendue a un lien fragile - un mot ou un silence pouvant tout achever ou tout faire echouer - et c'est la le modele de la comedie des deux siecles a venir.

Set against a memorable backdrop of Lucinda Rileys trademark evocative locations, The Italian Girl unfolds into a poignant and unforgettable tale of love, betrayal and self-discovery. Nothing sings as sweetly as love, or burns quite like betrayal. Rosanna Menici is just a girl when she meets Roberto Rossini, the man who will change her life. In the years to come, their destinies are bound together by their extraordinary talents as opera singers and by their enduring but obsessive love for each other - a love that will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by irreversible events from the past . . . Rosannas journey takes her from humble beginnings in the back streets of Naples to the glittering stages of the worlds most prestigious opera houses. *First published as Aria under the name Lucinda Edmonds, now extensively rewritten*

Brevi storie su nove grandi protagonisti della storia e della cultura italiane: da Leonardo da Vinci a Federico Fellini, da Michelangelo a Gianni Versace, da Lucrezia Borgia a Gioacchino Rossini. Tutte le storie raccontano un episodio reale o immaginario delle vite dei protagonisti, mettendo in evidenza anche il loro mondo e il loro tempo. Le storie sono accompagnate da attivita di comprensione e grammaticali, schede culturali e, novita assoluta, carte da gioco appositamente pensate per favorire un’immersione non solo nella lingua, ma anche negli aspetti piu strettamente culturali che costituiscono anche gli elementi portanti dei giochi da svolgere. Una serie di letture graduate, in un formato tutto a colori e con la possibilita di accedere gratuitamente online alla versione audio del testo, con voci di attori professionisti ed effetti sonori realistici e coinvolgenti. La versione audio permette di gustare al meglio il racconto. e inoltre utile per migliorare la capacita di comprensione orale, l’intonazione e la pronuncia. I testi della collana sono graduati in quattro livelli e consentono allo studente non madrelingua di scoprire il piacere di leggere in italiano, affinando al tempo stesso le proprie conoscenze linguistiche.

L’italiano per l’opera e un corso di italiano per musicisti, cantanti, professionisti del settore artistico musicale e semplici appassionati di opera lirica. E composto da un unico volume e copre i livelli A1 e A2 del QCER. A partire dalle arie piu famose (de Il barbiere di Siviglia, Turandot, La traviata, ecc.) e dai dialoghi tra i personaggi della simpatica famiglia Rossini, gli studenti apprendono contemporaneamente la lingua italiana del melodramma e quella della quotidianita. Oltre ai classici esercizi per lo sviluppo delle quattro abilita e per l’apprendimento del lessico e della grammatica, grande importanza e data alla fonetica e all’uso del corpo. L’italiano per l’opera puo vantare la partecipazione straordinaria di numerosi cantanti, strumentisti, coreografi e direttori d’orchestra di fama internazionale che hanno rilasciato interviste e realizzato esecuzioni musicali originali ed esclusive appositamente per il corso. Audio e Video Le tracce audio e i video delle unita potranno essere facilmente raggiunti tramite i codici QR stampati nel libro. Soluzioni degli esercizi e dei test Le soluzioni di tutti gli esercizi e dei test sono scaricabili gratuitamente. La guida per l'insegnante e scaricabile gratuitamente

Possibly the most colourful figure in the history of Western music, Hector Berlioz (1803-1869) was certainly the most eloquent. His autobiography is among the greatest ever written. Larger than life - like his massive works - Berlioz was a seminal figure in the Romantic movement and his book is both a personal testament and an account of his role in that movement. It tells the story of his romance with Harriet Smithson -with whom he fell in love when he saw her playing the part of Ophelia - and his even more passionate affairs with Shakespeare, Scott and Byron. Familiar with all the great figures of the age - Liszt, Wagner, Balzac, Delacroix, Weber, Rossini - Berlioz paints brilliant and often mordant portraits of them in a style which is one of the glories of French prose. Above all, this is the intimate and detailed self-revelation of a complex and attractive man, driven by his creative urges to a position of lonely eminence. The Memoirs of Hector Berlioz were translated some years ago by David Cairns now famous himself as the composer's finest biographer. For the Everyman edition he has completely revised the text, and the extensive notes which accompany it, to take account of the latest research.

Из-под пера французского скрипача, композитора и педагога Шарля Данкля (1817-1907) вышло около 200 сочинений, большинство из которых написаны для скрипки. Особую ценность имеют его инструктивные опусы, но по сей день в репертуар современных скрипачей входят также пьесы концертного плана. В двух тетрадях Арий с вариациями (соч. 89 и соч. 118) Данкля обращается к популярным и малоизвестным темам из опер Дж. Пачини, Дж. Россини, В. Беллини, Г. Доницетти, Й. Вейгля, С. Меркаданте. Яркие и эффектные вариации доступны по уровню сложности ученикам средних и старших классов детских музыкальных школ, поэтому прочно закрепились в педагогической практике. Сборник также адресован студентам музыкальных училищ и всем любителям инструментальной музыки. The French violinist, composer and teacher Charles Dancla (1817–1907) is the author of about 200 works, most of which were written for violin. His instructive opuses are of a particular value, still to this day the repertoire of contemporary violinists also includes his concert pieces. In two serieds of Airs varies (Op. 89 and Op. 118) Dancla addresses himself to popular and rare themes from the operas by G. Pacini, G. Rossini, V. Bellini, G. Donizetti, J. Weigl, S. Mercadante. Brilliant variations correspond to level of pupils of middle and senior grades of children’s music schools, therefore they became a steady part of pedagogical practice. The collection is also addressed to students of music colleges and all lovers of instrumental music.

Из-под пера французского скрипача, композитора и педагога Шарля Данкля (1817-1907) вышло около 200 сочинений, большинство из которых написаны для скрипки. Особую ценность имеют его инструктивные опусы, но по сей день в репертуар современных скрипачей входят также пьесы концертного плана. В двух тетрадях Арий с вариациями (соч. 89 и соч. 118) Данкля обращается к популярным и малоизвестным темам из опер Дж. Пачини, Дж. Россини, В. Беллини, Г. Доницетти, Й. Вейгля, С. Меркаданте. Яркие и эффектные вариации доступны по уровню сложности ученикам средних и старших классов детских музыкальных школ, поэтому прочно закрепились в педагогической практике. Сборник также адресован студентам музыкальных училищ и всем любителям инструментальной музыки. The French violinist, composer and teacher Charles Dancla (1817–1907) is the author of about 200 works, most of which were written for violin. His instructive opuses are of a particular value, still to this day the repertoire of contemporary violinists also includes his concert pieces. In two serieds of Airs varies (Op. 89 and Op. 118) Dancla addresses himself to popular and rare themes from the operas by G. Pacini, G. Rossini, V. Bellini, G. Donizetti, J. Weigl, S. Mercadante. Brilliant variations correspond to level of pupils of middle and senior grades of children’s music schools, therefore they became a steady part of pedagogical practice. The collection is also addressed to students of music colleges and all lovers of instrumental music.