'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth.

Gizmo is a city dog, so when he moves to the village of Puddle with his journalist human he doesn't know what to expect. Certainly not flowers. Or bees. And he couldn't have even imagined mud. Luckily he's got Jilly, the wolfhound next door, to show him around. But Jilly has a problem. Her puppies are going to be given to new owners far away. She'll never see them again! Gizmo might not know the difference between a cow and a tractor but he's got a nose for a story, and a great idea to help Jilly. What if the dogs of Puddle had a newspaper? Stop press! A charming and hilarious new illustrated young fiction series about the things dogs get up to when their humans aren't looking, from the author of The Adventures of Pug series. Perfect for fans of Toto the Ninja Cat and The Secret Life of Pets.

Жанр: Поп и рокИсполнитель: Cooper RayАльбом: Between The Golden Age & The Promised LandГод записи: 2018 годСостав набора: Аналоговая пластинкаКоличество носителей: 1Упаковка: СтандартнаяИздатель: Westpark

This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dali’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur.Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.

This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dali’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur.Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.

At Bagley Hall, a notoriously wild, but increasingly academic, independent, crammed with the children of the famous, trouble is afoot. The ambitious and fatally attractive headmaster, Hengist Brett-Taylor, hatches a plan to share the facilities of his school with Larkminster Comprehensive - known locally, as 'Larks'. His reasons for doing so are purely financial, but he is encouraged by the opportunities the scheme gives him for frequent meetings with Janna Curtis, the dynamic new head of Larks, who has been drafted in to save what is a fast-sinking school from closure. Janna is young, pretty, enthusiastic and vastly brave - and she will do anything to rescue her demoralised, run-down and cash-strapped school. Neither parents nor staff of either school are too keen on this radical move, although some can see the possible financial advantages. For the students, however, it offers great opportunities to get up to even more mayhem than usual.

There was no doubt Bella Parkinson was a success: the most promising actress in London, bright, sexy - and hopelessly scatterbrained - she was taking the town by storm. Rupert Henriques, dashingly handsome and wealthy enough to buy her every theatre in London if she wanted it, couldn't wait to marry her… But Bella had a secret in her past - and the one man who knew it was about to come into her life again. Worse, Rupert's sinister cousin Lazlo, for some reason of his own, was trying to prevent her marriage. Before she knew where she was, Bella found herself in real danger…

As soon as Octavia catches a glimpse of Jeremy in the nightclub, she knows she just has to have him. It doesn't matter that he's just got engaged to an old school friend of hers: good natured Gussie. His look suggested bed rather than breakfast, and made her weak at the knees... Rich and stunning, Octavia is used to men falling in love with her at a moment's notice and an invitation to join Gussie and Jeremy for a cozy weekend on a canal barge comes like a gift from the gods. How can she fail to hook Jeremy? But the other part of the foursome is whizz-kid business tycoon Gareth Llewellyn, a swarthy Welshman with all the tenderness of a scrum-half...definitely not Octavia's type! And one way and another, he certainly manages to thwart her plans...

As a librarian, Imogen read a lot of books, but none of them covered what she was to experience on the Riviera. Her holiday with tennis ace, Nicky, and the whole glamorous coterie surrounding Nicky, was a revelation - and so, ultimately, was she. A wild Yorkshire rose among the thorny model girls, Cable and Yvonne, with a rare asset that they'd mislaid years ago... But the path of a jet-set virgin in that lovely, wicked world was a hard one. Imogen began to wonder if virtue really was its own reward...

In Jilly Cooper's third Rutshire chronicle we meet Ricky France-Lynch, who is moody, macho, and magnificent. He had a large crumbling estate, a nine-goal polo handicap, and a beautiful wife who was fair game for anyone with a cheque book. He also had the adoration of fourteen-year-old Perdita MacLeod. Perdita couldn't wait to leave her dreary school and become a polo player.The polo set were ritzy, wild, and gloriously promiscuous.Perdita thought she'd get along with them very well. But before she had time to grow up, Ricky's life exploded into tragedy, and Perdita turned into a brat who loved only her horses - and Ricky France-Lynch. Ricky's obsession to win back his wife, and Perdita's to win both Ricky and a place as a top class polo player, take the reader on a wildly exciting journey - to the estancias of Argentina, to Palm Beach and Deauville, and on to the royal polo fields of England and the glamorous pitches of California where the most heroic battle of all is destined to be fought - a match that is about far more than just the winning of a huge silver cup...

Sir Robert Rannaldini, the most successful but detested conductor in the world, had two ambitions: to seduce his ravishing nineteen-year-old stepdaughter Tabitha Campbell-Black, and to put his mark on musical history by making the definitive film of Verdi's darkest opera, Don Carlos. As Rannaldini, Tristan, his charismatic French director, a volatile cast and bolshy French crew gather at Rannaldini's haunted abbey for filming, it is inevitable that violent feuds, abandoned bonking, temperamental screaming, and devious plotting will ensue. But although everyone wished Rannaldini dead, no one actually thought the Maestro would be murdered. Or that after the dreadful deed some very bizarre things would continue to occur. Score! is Jilly Cooper's most thrilling novel to date.

Into the cut-throat world of Corinium television comes Declan O'Hara, a mega-star of great glamour and integrity with a radiant feckless wife, a handsome son and two ravishing teenage daughters. Living rather too closely across the valley is Rupert Campbell-Black, divorced and as dissolute as ever, and now the Tory Minister for Sport. Declan needs only a few days at Corinium to realise that the Managing Director, Lord Baddingham, is a crook who has recruited him merely to help retain the franchise for Corinium. Baddingham has also enticed Cameron Cook, a gorgeous but domineering woman executive, to produce Declan's programme. Declan and Cameron detest each other, provoking a storm of controversy into which Rupert plunges with his usual abandon. As a rival group emerges to pitch for the franchise, reputations ripen and decline, true love blossoms and burns, marriages are made and shattered, and sex raises its (delicious) head at almost every throw as, in bed and boardroom, the race is on to capture the Cotswold Crown.

Abigail Rosen, nicknamed Appassionata, was the sexiest, most flamboyant violinist in classical music, but she was also the loneliest and the most exploited girl in the world. When a dramatic suicide attempt destroyed her violin career, she set her sights on the male-dominated heights of the conductor's rostrum. Given the chance to take over the Rutminster Symphony Orchestra, Abby is ecstatic, not realising the RSO is in hock up to its neck and is composed of the wildest bunch of musicians ever to blow a horn or caress a fiddle. Abby finds it increasingly difficult to control her undisciplined rabble and pretend she is not madly attracted to the fatally glamorous horn player, Viking O'Neill, who claims droit de seigneur over every pretty woman joining the orchestra. And then Rannaldini, arch-fiend and international maestro, rolls up with Machiavellian plans of his own to sabotage the RSO. Effervescent as champagne, Jilly Cooper's novel brings back old favourites like Rupert and Taggie Campbell-Black, but also ends triumphantly with a rampageous orchestral tour of Spain and the high drama of an international piano competition.

Etta Bancroft - sweet, kind, still beautiful - adores racing and harbours a crush on one of its stars, the handsome high-handed owner-trainer Rupert Campbell-Black. When her bullying husband dies, Etta's selfish, ambitious children drag her from her lovely Dorset house to live in a hideous modern bungalowin the Cotswold village of Willowwood. Etta's life is transformed when she finds a horribly mutilated filly wandering in the woods. She names her Mrs Wilkinson and nurses her back to health. The filly charms everyone in the village, and when tests reveal her to be a spectacularly well-bred racehorse a village syndicate is formed to put the filly into training. Captivating vast crowds as she progresses from point-to-point to major races, she brings fame and fortune to the syndicate, until, at last, she is entered in the greatest jump race of them all. Can Mrs Wilkinson win the Grand National? And can Etta gain her heart's desire?

In Jilly Cooper’s latest, raciest novel, Rupert Campbell-Black takes centre stage in the cut-throat world of flat racing. Rupert is consumed by one obsession: that Love Rat, his adored grey horse, be proclaimed champion stallion. He longs to trounce Roberto’s Revenge, the stallion owned by his detested rival Cosmo Rannaldini, which means abandoning his racing empire at Penscombe and his darling wife Taggie, and chasing winners in the richest races worldwide, from Dubai to Los Angeles to Melbourne. Luckily, the fort at home is held by Rupert’s assistant Gav, a genius with horses, fancied by every stable lass, but damaged by alcoholism and a vile wife. When Gala, a grieving but ravishing Zimbabwean widow moves to Penscombe as carer for Rupert’s wayward father, it is not just Gav who is attracted to her: a returning Rupert finds himself dangerously tempted. Gala adores horses, and when she switches to working in the yard, her carer’s job is taken by a devastatingly handsome South African man who claims to be gay but seems far keener on caring for the angelic Taggie. And as increasingly sinister acts of sabotage strike at Penscombe, the game of musical loose boxes gathers apace . . .

Set against the glorious Cotswold countryside, Riders offers an intoxicating blend of swooning romance, adventure and hilarious high jinks. Brooding hero Jake Lovell, under whose magic hands even the most difficult horse or woman is charmed, is driven by his loathing of the dashing darling of the show ring, Rupert Campbell-Black. Having pinched each other’s horses and drunk their way around the capitals of Europe, the feud between the two men finally erupts with devastating consequences at the Los Angeles Olympics . . . A classic bestseller, Riders takes the lid off international show jumping, a sport where the brave horses are almost human, but the humans behave like animals.