One of the last surviving members of the futurist generation, Bruno Munari has been the enfant terrible of Italian art and design for most of the twentieth century How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze.

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.Bruno Munari was among the most inspirational designers of all time, described by Picasso as ‘the new Leonardo’. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children’s books, advertising, cars and chairs – these are just some of the subjects to which he turns his illuminating gaze.

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.Bruno Munari was among the most inspirational designers of all time, described by Picasso as ‘the new Leonardo’. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children’s books, advertising, cars and chairs – these are just some of the subjects to which he turns his illuminating gaze.

Футболка классическая — цвет: БЕЛЫЙ, пол: МУЖ, качество: ЭКОНОМ. «Design is the method of putting form and content together. Design, just as art, has multiple definitions, there is no single definition. Design can be art. Design can be aesthetics. Design is so simple, that’s why it is so complicated.» -- PAUL RAND

Today's most exciting illustrators, from A to Z The Illustration Now! series continues to bring you groundbreaking work by the world's most exciting illustrators. A fascinating mix of established master draftsmen and neophytes, working in a wide range of techniques, Illustration Now! Vol. 4 features 150 illustrators from 30 countries, including information about their career paths and lists of selected exhibitions. Also included are two introductory essays by specialists Steven Heller and Bruno Porto on current trends in the field, with a cover featuring the work of Gabriel Moreno. This book is perfect for graphic artists, creative professionals and illustration students, as well as anyone with an appreciation for draftsmanship and visual language. The editor: Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Illustration Now!, Advertising Now, Logo Design, and Brand Identity Now!

"We would like to take you with this book on a journey to some of the most beautiful and purest places on the globe. Skies are cerulean blue. Follow us as we set sail for distant, dreamy shores." Diane Dorrans Saeks About the editor: Angelika Taschen studied art history and German literature in Heidelberg, gaining her doctorate in 1986. Working for TASCHEN since 1987, she has published numerous titles on art, architecture, photography, design, travel, and lifestyle. About the author: Diane Dorrans Saeks specializes in architecture, interior design, travel, gardening, and fashion. She has published ten books on these subjects, as well as many features for leading magazines and newspapers such as The New York Times, The Los Angeles Times, Metropolitan Home, Garden Design, and W. Издание на английском, французском и немецком языках.

A rich American art student is found dead at the bottom of a well in an ancient hilltop castle. The young woman, Claudia, had been working in the archives of an eminent French art historian, a crippled Resistance war hero, at his art-filled chateau. As Claudia’s White House connections get the US Embassy and the FBI involved, Bruno traces the people and events that led to her fatal accident - or was it murder? Bruno learns that Claudia had been trying to buy the chateau and art collection of her tutor, even while her researches led her to suspect that some of his attributions may have been forged. This takes Bruno down a trail that leads him from the ruins of Berlin in 1945, to France’s colonial war in Algeria. The long arm of French history has reached out to find a new victim, but can Bruno identify the killer - and prove his case?

A rich American art student is found dead at the bottom of a well in an ancient hilltop castle. The young woman, Claudia, had been working in the archives of an eminent French art historian, a crippled Resistance war hero, at his art-filled chateau. As Claudia’s White House connections get the US Embassy and the FBI involved, Bruno traces the people and events that led to her fatal accident - or was it murder? Bruno learns that Claudia had been trying to buy the chateau and art collection of her tutor, even while her researches led her to suspect that some of his attributions may have been forged. This takes Bruno down a trail that leads him from the ruins of Berlin in 1945, to France’s colonial war in Algeria. The long arm of French history has reached out to find a new victim, but can Bruno identify the killer - and prove his case?

Jewelry is commonly perceived as a beautiful piece of wearable art: stand-alone, sculptural, and aloof. However, in order to understand contemporary jewelry design, we need to view the work as we would the product of any design field: as conceptual projects, as material studies, as social commentaries, and as connections to the past. The various creations by international designers presented in this book give us an outline on current trends and developments in the field of jewelry. Their work is presented as a snapshot of individual practices, a broad sampling of innovative creations and forward-looking designers. What unites them are everyday considerations on context and production. Pictures as well as information on crafting techniques and materials underline the infinite creative potential of jewelry design. An index with contact information is enclosed.

Nowadays, Exhibition Design became an important architectural means to present an idea or a product and to increase it`s sales. As a result, Exhibition Design and trade fair projects have evolved into a perfect demonstration of architectural art. An art that combines the forming of space and the use of materials to achieve a very convincing narrative and expressive worth. Text in English, German.

Cruising comfort is the art of providing a smooth surfing experience. This addition to our popular "Web Design" series focuses on very carefully crafted navigation systems, where usability and narrative are taken in consideration in the development of the website. Featuring over 80 projects from more than 15 countries, as well as case studies on outstanding work by the world's leading studios such as Fahrenheit, Clusta, and Sequence, this collection illustrates the ingenious solutions to one of the most difficult and important aspects of web design.

POP! Design, Culture, Fashion 1955-1976 explores the impact of music, art and personality on the development of the design and fashion of the times. Published to accompany an exhibition at the Fashion and Textile Museum, London, July - October 2012. Pop! Design, Culture, Fashion 1956-1976 covers all aspects of Pop design in Britain and America, from early rock 'n' roll to punk. It looks at record covers and packaging designs by Pop artists such as Andy Warhol, Peter Blake and Richard Hamilton, and the work of fashion designers such as Mary Quant, Barbara Hulanicki from Biba, Vivienne Westwood and John Stephen of Carnaby Street fame, as well as their contemporaries in America such as Betsey Johnson of Paraphernalia. Pop graphics are also covered, from the psychedelic posters of Alan Aldridge, and the design collective 'Hapdash and the Coloured Coat' to rock posters from San Francisco and the west coast of America. There are also reproductions of rarely-seen underground magazines such as Oz, Gandalf's Garden, l' Actuel and the International Times. The ephemeral nature of much of Pop design is explored - from paper furniture and 'throwaway' paper dresses, to longer-lasting trends such as Union Jack clothing, metal badges, machine-embroidered denim, printed t-shirts and tin badges. The book also looks at the work of 'Them', an influential group of 'Baroque Pop' designers who coalesced around Zandra Rhodes in the early 70s, and ends with the anti-design of punk fashion by Vivienne Westwood, and the self-proclaimed 'horrible by design' punk graphics of Jamie Reid. Whilst there have been innumerable books on the Swinging Sixties, and on Pop Art, this is the first book to look at Pop design over a twenty year span, and to examine the interconnected nature of so many elements of the phenomenon such as books and magazines, music, film, fashion and graphic art. It is also unique in that the illustrations are not sourced from the usual magazine archive images, but are photographs of the artefacts themselves, from Elton John's waistcoat, embroidered with suns, stars and rainbows, to Twiggy coathangers, psychedelic book covers and every teenager's must-have item: 'Glo Glo boots for Go Go girls'.

Fall in love with art and design! This creative kids book introduces them to the wonderful world of art history and creating art! Discover your artistic style through the pages of this children's craft book. More than that, this book encourages art as a STEM field and teaches kids the history of art, art theory, and introduces them to the most notable artists who have influenced art movements. How To Be An Artist includes fascinating details on how art has developed through the years and gives children the opportunity to learn key artistic skills. The book includes: - Step-by-step projects, information about artistic movements, and profiles on pioneering artists - Four sections: drawing, painting, crafting, nature, and animating - Information on the educational importance of including art in STEM learning - Over 30 art activities for kids to try at home Create your own masterpieces while you learn to paint, draw and design. How to be an Artist is an exciting introduction to a lifetime of art appreciation. Author Natalie Abadzis includes over 30 activities to encourage and stimulate even the most reluctant young artist. From basics, such as mark-making, composition, and perspective to the trickier techniques of illusion and paper engineering, to woodwork, photography, and sculpting, this art activity book for kids gets their creative juices flowing. Plus, introductions to artists such as Frida Kahlo, Albreach Drurer and Yayoi Kusama will inspire and excite budding artists!

In a fleeting fourteen year period, sandwiched between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation. As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883-1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer, Gunta Stoelzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charismatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a "total" work of art across different practices and media. This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.

Designs of the time: The most famous art school of modernity. In a fleeting fourteen year period, sandwiched between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation. As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883–1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer,Gunta Stölzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charistmatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a “total" work of art across different practices and media. This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.

Designs of the time: The most famous art school of modernity.In a fleeting fourteen year period, sandwiched between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation.As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883–1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer,Gunta Stolzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charistmatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a “total" work of art across different practices and media.This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.