The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall, of gigantic proportions by the standards of the time, it was a milestone in the history of building in glass. The result was a totally new spatial quality and a new aesthetic, as interior and exterior could now enter into a quite unique mutual relationship. Since then, architecture without glass has been inconceivable, and glass has been used as a construction material by renowned architects worldwide for industrial buildings and private houses. Glass masterpieces, erected in particular in combination with other materials, for example, wood, stone or steel, demonstrate the potential and variety of glass architecture.

Terraces and balconies have always been essential architectural features - they are effectively the continuation of a dwelling outdoors. Terraces are mostly related directly to the landscape surrounding a building. They can frame a view - for instance, through canopies or side walls - they can imitate particular landscape elements on their own more human scale, or they can enable the landscape to be perceived and experienced in a different way. Unlike terraces, balconies are first and foremost a structural element of a house, epitomising the character of the building and its architectural style. The balcony can be the crowning glory of a house - the extension of the living space outdoors. This book introduces terraces and balconies from all over the world that have been created by well-known architects and designers and that are particularly original or successfully unite aesthetics and functionality. Издание на английском, французском и немецком языках.

This new series focuses on brand new trends in architecture and interior design. High Tech Architecture deals with projects all around the world, showing a trendsetting use of new materials and high-tech design. Especially new trends with glas, steel and mediafacades are featured. About 50 projects are presented in alphabetical order of the respective architects and designers. Beside numerous images, also plans and texts introduce to the projects. An index with contact information is enclosed.

Издание на английском, французском и немецком языках. This is a collection of 19 interesting examples demonstrating countless architectural solutions available for houses with minimal space. Owing to their proportions - often related to the budget - minimal houses tend to be based on a light structural system, generally based on wooden frames or thin metal sections, which also make the building easy to construct on isolated or inaccessible plots of land. These homes can hide ingenious elements inside, such as folding tables, hanging beds, translucent panels, and highly efficient storage areas. This collection of 19 new projects presents practical, contemporary examples that demonstrate the countless architectural solutions available for houses with minimal space.

The apartments and lofts featured here highlight the latest architecture and design innovations, with an emphasis on open space and materials such as glass, plastic, steel, and stone. The book explores the joy of living in carefully designed spaces, showcasing a range of styles from modern to traditional. This exciting collection includes innovative and exciting designs sure to inspire and amaze.

Тип: угольный; Количество фильтров: 2 шт; Материал: пластик; Совместимость: IHOOD 60 Noir Verre, INHIT 60, LEA 60, AMIENS 50, REIMS 50 Noir Verre, METZ 60 Noir Verre, ASTRA 50, ROUEN 60 Noir Verre, ROUEN 50 Noir Verre; Цвет: черный;

One of Austria's most influential architects, Otto Wagner (1841-1918) played a key role in modernizing urban architecture. Forming an approach described as structural rationalism, Wagner pioneered use of materials such as glass, steel, and especially aluminum. He was associated with the Viennese Succession, a group of artists and designers headed by Gustav Klimt that initiated a departure from the conservative style of the Viennese Kunstlerhaus. Among Wagner's most important buildings are the Vienna Postsparkassenamt (Postal Savings building) and the Steinhof Church. Издание на английском языке.

Pierre Koenig’s modern materials There are few images of 20th-century architecture more iconic than the nighttime view of Case Study House #22. At its eagle’s nest promontory above Los Angeles, the building is a vision of streamlined glass and steel, its slick lines echoing the twinkling city boulevards below. With this and his other equally innovative build for the famous project of the Arts & Architecture magazine, American architect Pierre Koenig (1925–2004) became one of the leading figures of the Modern movement. While still a student of architecture, Koenig designed and built his first exposed steel house in 1950, proving that the use of prefabricated materials could allow for spatial freedom in affordable houses. Throughout his career, he would champion socially responsible design, as well as buildings that responded deftly and directly to the Southern California climate. Through windows, water, terraces, skylights, and glazing, his buildings optimized the rapport between inside and outside, while aiming for a simplistic purity of appearance. Through all of Koenig’s major projects, including the Johnson House (1962) and Oberman House (1962), this book introduces an architect who was pioneering in method and material and iconic of his time, as fueled by experimentalism as the postwar optimism of the age.

Acclaimed as the "father of skyscrapers," the quintessentially American icon Frank Lloyd Wright (1867-1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum. Wright's work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as "the best all-time work of American architecture." Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity. Exploring Wright's aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.

Acclaimed as the "father of skyscrapers," the quintessentially American icon Frank Lloyd Wright (1867-1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum. Wright's work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as "the best all-time work of American architecture." Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity. Exploring Wright's aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.

Acclaimed as the “father of skyscrapers,” the quintessentially American icon Frank Lloyd Wright (1867–1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum.Wright’s work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as “the best all-time work of American architecture.” Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity.Exploring Wright’s aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.

Acclaimed as the “father of skyscrapers,” the quintessentially American icon Frank Lloyd Wright (1867–1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum.Wright’s work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as “the best all-time work of American architecture.” Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity.Exploring Wright’s aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.

Geometry and architectural drawing; Dimensions of the body; Design for the handicapped; Public buildings; Environmentally friendly architecture; Vehicles; Fire safety measures; Stairs and elevators; Pools and children's playgrounds; Structure; Materials; Insulation; Building inspection and detecting flaws; Installations; Unit conversion tables. Книга на английском языке.

Stone's richness of texture, colour, and finish cannot be found in other materials; it is senuous to the touch, striking to the eye, and pleasing to the soul. Malcolm Holzman's Stone Work demonstrates not only that the application of stone can still result in architecture unlike that created from other materials, but also that it can be of more interest today than it has been in the recent past. His objective is to raise public awareness about the material and to inlfuence architects to explore this natural building material. Stone is not a vanishing resource, rather the opposite is true. However, making architecture with this material often requires putting aside accepted strictures and finding a means to work with, and understand, its physical qualities. Stone Work features vignettes about observing antiquities as well as commonplace structures, and about manufacturing stone and making buildings. It focuses on the role stone can play in making exceptional architecture. 0

Stone's richness of texture, colour, and finish cannot be found in other materials; it is senuous to the touch, striking to the eye, and pleasing to the soul. Malcolm Holzman's Stone Work demonstrates not only that the application of stone can still result in architecture unlike that created from other materials, but also that it can be of more interest today than it has been in the recent past. His objective is to raise public awareness about the material and to inlfuence architects to explore this natural building material. Stone is not a vanishing resource, rather the opposite is true. However, making architecture with this material often requires putting aside accepted strictures and finding a means to work with, and understand, its physical qualities. Stone Work features vignettes about observing antiquities as well as commonplace structures, and about manufacturing stone and making buildings. It focuses on the role stone can play in making exceptional architecture. 0

Бренд: Seidel ModenЦвет: красный