Rossini’s success in Italy in the early 1820s was certainly not echoed in France, where he was regarded as “an ill-bred parvenu, whose cheap popularity was an insult to a great musical tradition”. Stendhal was the first of his contemporaries to recognize the genius of this important Italian composer. Besides being a fascinating and penetrating account of the Italian composer’s most creative years, and of contemporary musical events and opinions, this work is one of the finest items in the Stendhalian literary canon. Details of Rossini’s early life are followed by penetrating discussions of the operas, libretti, personalities of the period and Rossini’s own character.

Few writers have known Italy better than Stendhal: he was only seventeen when he first rode south across the Alps in the wake of Napoleon’s armies, and he continued to travel and to live in Italy until a few months before his death. Some of his visits lasted only a few weeks, others continued for years, and he spent the last decade of his life as French Consul in Civitavecchia – yet he was never a tourist in the ordinary sense of the word. Italy, for Stendhal, was never a mere treasure trove of ruins, museums and galleries: it was the life of the country which fascinated him, its spirit, the inner workings of its heart and mind. This picture – or rather this living dream – of Italy he created is as fresh and tantalizing today as it was almost two centuries ago.

The articles which Stendhal contributed as French correspondent for the London Magazine, New Monthly Magazine and other English reviews of the 1820s are here brought together in a single volume, the only edition available in English. In them Stendhal – defying fashion and giving proof of the bold originality of his creative writing – provides an illuminating and often entertaining commentary on the politics and mores of post-Napoleonic France and Italy, and reveals his outstanding and all too rarely acknowledged gifts as a reviewer and literary critic. Together with the articles from the English reviews, this edition includes translations of articles, essays and notes on Corneille, Scott and Lord Byron, who was on terms of close acquaintance with Stendhal during his stay in Milan in 1816.

Florence’s world-famous Renaissance is brought to life in this anthology through the eyes of its most illustrious chroniclers. Beginning with Dante’s vision of Inferno, teeming with his Florentine enemies, to the artist Cellini’s swashbuckling adventures in High Renaissance Italy, and including the pioneering writings of Boccaccio, Ficino, Guicciardini and Vasari, this selection shows that in literature, as in art, Florence was a trailblazer. The city’s long tradition of mesmerizing foreigners is celebrated in selections from Tobias Smollet, Henry James, D.H. Lawrence and Stendhal (whose rapturous impressions gave name to ‘Stendhal syndrome’), while indigenous writers such as Curzio Malaparte and Vasco Pratolini paint a far grittier portrait of Florence under the looming cloud of Fascism and World War II. Salman Rushdie’s dazzling novel The Enchantress of Florence takes inspiration from the city’s gilded Renaissance past, while Mary McCarthy’s masterful travelogue captures a bustling 20th century market city. George Eliot, Rainer Maria Rilke, Iris Origo and Penelope Fitzgerald are among the other brilliant writers whose stories illuminate the many faces of this fascinating city.

When the young and sensitive Auguste Saint-Clair notices an Etruscan vase on the mantelpiece of his beloved Mathilde, he becomes gradually consumed by jealousy at the thought that it could be the gift of another man, and the situation escalates dramatically as he demands proof from her that she loves only him. A classic piece of French short fiction, ‘The Etruscan Vase’ is here presented alongside three other stories: ‘The Vision of Charles XI’, a dark tale of premonition set in the Swedish royal palace, ‘Tamango’, an account of a slave-ship revolt, and ‘The Blue Room’, a supernatural farce and one of Merimee’s final works; as well as two non-fiction pieces: ‘A Hanging’, a description of a real-life public execution, and ‘H.B.’, a tribute to Stendhal.

Translated by C. K. Scott Moncrieff (revised by Moya Longstaffe). With an Introduction and Notes by Moya Longstaffe. The Red and the Black has been hailed as the first great `realist' novel of the nineteenth century, offering a lively and detailed picture of social and political life in the provinces and in Paris towards the end of the 1820s, the close of the stifling reactionary period of the Bourbon Restoration. Stendhal himself claimed that no-one before him had ventured to portray with such verisimilitude the `moral and morose' France of 1830. However `moral and morose' his novel is definitely not. Ironic, fast-moving, entertaining and incisive in its social criticism, it is a novel of ambition and passion, of indignation and tenderness, of polemic and poetry, which speaks to us today, as clearly as it did to the author's contemporaries, of the heights, depths and idiocies of which our human nature is capable or culpable.

This major critical work by the great French novelist reveals Stendhal’s decisive role in the literary renaissance called Romanticism. Written sixteen years before The Charterhouse of Parma, it marked the beginning of his illustrious career and established him at the forefront of the French Romantic movement. The first part of Racine and Shakespeare appeared as a pamphlet in 1823, when Waterloo was still bitterly alive in the French mind. In it, Stendhal vigorously championed the spontaneous vitality of Shakespeare while condemning the rigid imitators of Corneille and Racine. The second half of Racine and Shakespeare appeared two years later in answer to a speech against Romanticism by the secretary of the Academie Francaise. It is a brilliant tour de force, an exchange of letters between an old classicist and a young Romanticist, in which Stendhal defined Romanticism not only for his age but for all time.

The Lives of Haydn, Mozart and Metastasio – Stendhal’s first published work – owes its inspiration to the audacious pragmatism of its author. After the collapse of the Napoleonic empire, Henri Beyle was jobless, soon destined to become a refugee and in desperate need of money. His most abiding passion in life was music, so why not write about it? Unfortunately, however, he knew next to nothing about it. So, calmly and without the slightest pang of conscience, he resolved to plunder the works of other writers – in particular those of the musicologist Giuseppe Carpani, who was annoyed and said so vociferously. The result of Stendhal’s unscrupulous plagiarism is one of the most fascinating literary enigmas of all time. How is it that what started as a blatant act of piracy evolved into a work of enduring genius? Despite its unpropitious beginnings, this work represents the wrong-headedness of a genius – and the singular Louis-Alexandre-Cesar Bomet who signed the Lives was already, in everything that mattered, the man who was to be Stendhal, one of the most enduring literary figures of the nineteenth century.

Set against a memorable backdrop of Lucinda Riley's trademark evocative locations, The Italian Girl unfolds into a poignant and unforgettable tale of love, betrayal and self-discovery. Nothing sings as sweetly as love, or burns quite like betrayal. Rosanna Menici is just a girl when she meets Roberto Rossini, the man who will change her life. In the years to come, their destinies are bound together by their extraordinary talents as opera singers and by their enduring but obsessive love for each other - a love that will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by irreversible events from the past . . . Rosanna's journey takes her from humble beginnings in the back streets of Naples to the glittering stages of the world's most prestigious opera houses.

Discover the greatest story ever told: the story of life on our planet, from the big bang to the dinosaurs and beyond. Before humans took their first steps, there were billions of years of vibrant and varied life on earth. Discover the fascinating story of our planet, from the formation of the universe to the first mammals, and all the incredible life that flourished in-between. Covering ice ages and fossils, life in the teeming primeval seas and the first life on land, the time of the dinosaurs and the rise of the mammals, Martin Jenkins navigates through millions of years of prehistory in enthralling and accessible style. With gorgeous art from the Kate Greenaway Medal-winning illustrator Grahame Baker Smith, this is a captivating journey through the life of our planet before we called it ours.

Set against a memorable backdrop of Lucinda Rileys trademark evocative locations, The Italian Girl unfolds into a poignant and unforgettable tale of love, betrayal and self-discovery. Nothing sings as sweetly as love, or burns quite like betrayal. Rosanna Menici is just a girl when she meets Roberto Rossini, the man who will change her life. In the years to come, their destinies are bound together by their extraordinary talents as opera singers and by their enduring but obsessive love for each other - a love that will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by irreversible events from the past . . . Rosannas journey takes her from humble beginnings in the back streets of Naples to the glittering stages of the worlds most prestigious opera houses. *First published as Aria under the name Lucinda Edmonds, now extensively rewritten*

Set against a memorable backdrop of Lucinda Rileys trademark evocative locations, The Italian Girl unfolds into a poignant and unforgettable tale of love, betrayal and self-discovery. Nothing sings as sweetly as love, or burns quite like betrayal. Rosanna Menici is just a girl when she meets Roberto Rossini, the man who will change her life. In the years to come, their destinies are bound together by their extraordinary talents as opera singers and by their enduring but obsessive love for each other - a love that will ultimately affect the lives of all those closest to them. For, as Rosanna slowly discovers, their union is haunted by irreversible events from the past . . . Rosannas journey takes her from humble beginnings in the back streets of Naples to the glittering stages of the worlds most prestigious opera houses. *First published as Aria under the name Lucinda Edmonds, now extensively rewritten*

The meaning of life. The diversity of life. The secret of survival. Live together. This is life as we know it - and this is the essence of biology.Ever-dynamic Professor Robert Winston invites readers of all ages on a journey through life on Earth, showing how organisms live and survive on our "Goldilocks Planet".Everything about biology covers all key topics, including cells, the six kingdoms of life (Eubacteria, archaebacteria, protists, fungi, plants and animals), anatomy, behavior, nutrition, evolution, migration, photosynthesis, reproduction and much more. Join the discussions about whether humans are superior animals; which of them is the strangest form of life; and whether there is any alien life in the universe.

The meaning of life. The diversity of life. The secret of survival. Live together. This is life as we know it - and this is the essence of biology.Ever-dynamic Professor Robert Winston invites readers of all ages on a journey through life on Earth, showing how organisms live and survive on our "Goldilocks Planet".Everything about biology covers all key topics, including cells, the six kingdoms of life (Eubacteria, archaebacteria, protists, fungi, plants and animals), anatomy, behavior, nutrition, evolution, migration, photosynthesis, reproduction and much more. Join the discussions about whether humans are superior animals; which of them is the strangest form of life; and whether there is any alien life in the universe.

Possibly the most colourful figure in the history of Western music, Hector Berlioz (1803-1869) was certainly the most eloquent. His autobiography is among the greatest ever written. Larger than life - like his massive works - Berlioz was a seminal figure in the Romantic movement and his book is both a personal testament and an account of his role in that movement. It tells the story of his romance with Harriet Smithson -with whom he fell in love when he saw her playing the part of Ophelia - and his even more passionate affairs with Shakespeare, Scott and Byron. Familiar with all the great figures of the age - Liszt, Wagner, Balzac, Delacroix, Weber, Rossini - Berlioz paints brilliant and often mordant portraits of them in a style which is one of the glories of French prose. Above all, this is the intimate and detailed self-revelation of a complex and attractive man, driven by his creative urges to a position of lonely eminence. The Memoirs of Hector Berlioz were translated some years ago by David Cairns now famous himself as the composer's finest biographer. For the Everyman edition he has completely revised the text, and the extensive notes which accompany it, to take account of the latest research.

A programme text edition published in conjunction with the Finborough Theatre to coincide with the centenary of the birth of William Saroyan, The Time of Your Life runs from 26 November - 20 December. 'In the time of our life, live - so that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it' The Time of Your Life, a rich tapestry of human life, peopled by a profusion of wistful dreamers, pining lonely hearts, and beer-hall-philosophers, is a twentieth century American masterpiece.