Sometimes I confuse myself. I get wildly and pointlessly jealous. I spend too much time hating my bum. And you know what I hate more than my bum? My preoccupation with my bum. I've had sexual experiences with boys I wasn't really in to, but I got a post-coital crush on them. I've ruined the start of a relationship by immediately imagining it going into reverse. There is so much about my behaviour I want to understand. So I started researching what makes me - and us - tick. And what I read made my eyes fall out of my face. Reader, here is everything I've learned from science about love, sexuality, infidelity, boobs, periods, pubes, broodiness, and clever old fat. Merry Christmas and Hallelujah, suddenly being a woman doesn't look like such a minefield after all.

In the dark and slimy streets of Wapping a prostitute is beaten half to death, a not uncommon fate in late 18th century London. So begins this gripping tale set in 1798 in the Port of London: a cruel villain holds sway over the underworld. His name is Boylin. His face is scarred by lime and his back by the two hundred lashes he received following a naval court martial. He holds Captain Tom Pascoe responsible for his suffering. They meet again when Pascoe becomes River Surveyor for the newly formed marine police. They've had orders to investigate a sudden fall in government revenue that is affecting the nation's ability to fight the war against Napoleon and stem the rising tide of Irish rebellion. Pascoe knows that Boylin is behind it, but he can't prove anything, yet. The Watermen follows these two adversaries across London as they try to outwit one another. Working alongside Pascoe is Sam Hart, a Jewish immigrant with his own agenda, Pascoe throws the rule-book out the window, scouring East London and the docklands in search of information. But fate takes a cruel twist when the two men find themselves involved with the same woman - there's much more at stake than the fate of the nation.

David Kepesh, white-haired, and now in his sixties, is an eminent cultural critic on NPR radio and a formidable lecturer at a New York college. For years he's been casually, almost habitually, sleeping with the more spirited of his female students, though with an aesthete's critical distance. But now he's met Consuela Castillo, a twenty-four-year-old Cuban student of such head-turning beauty, that Kapesh finds himself dragged helplessly into a quagmire of sexual jealousy and loss.The Dying Animal is a virtuoso performance from Philip Roth, following Kapesh through the tumult of erotic lust and the search for freedom, shackled by a mortal human body. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

David Kepesh, white-haired, and now in his sixties, is an eminent cultural critic on NPR radio and a formidable lecturer at a New York college. For years he's been casually, almost habitually, sleeping with the more spirited of his female students, though with an aesthete's critical distance. But now he's met Consuela Castillo, a twenty-four-year-old Cuban student of such head-turning beauty, that Kapesh finds himself dragged helplessly into a quagmire of sexual jealousy and loss.The Dying Animal is a virtuoso performance from Philip Roth, following Kapesh through the tumult of erotic lust and the search for freedom, shackled by a mortal human body................................

David Kepesh, white-haired, and now in his sixties, is an eminent cultural critic on NPR radio and a formidable lecturer at a New York college. For years he's been casually, almost habitually, sleeping with the more spirited of his female students, though with an aesthete's critical distance. But now he's met Consuela Castillo, a twenty-four-year-old Cuban student of such head-turning beauty, that Kapesh finds himself dragged helplessly into a quagmire of sexual jealousy and loss.The Dying Animal is a virtuoso performance from Philip Roth, following Kapesh through the tumult of erotic lust and the search for freedom, shackled by a mortal human body. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

A walk in the woods takes a sinister turn for police chief Jeffrey Tolliver and medical examiner Sara Linton when they stumble across the body of a young girl. Incarcerated in the ground, all the initial evidence indicates that she has, quite literally, been scared to death. But as Sara embarks on the autopsy, something even more horrifying comes to light. Something which shocks even Sara. Detective Lena Adams, talented but increasingly troubled, is called in from vacation to help with the investigation - and the trail soon leads to the neighbouring county, an isolated community, and a terrible secret ...

When wealthy Sara Crewe arrives at Miss Minchin's boarding school in London, she is determined to settle in and make friends. Charismatic and popular, with a big heart and a love of storytelling, she seems to be succeeding. Her father always said she was a Little Princess, and she knows exactly what it means to be a princess: to be kind, understanding and polite. That is, until tragedy strikes. Sara must fight harder than she thought possible to remain both strong and kind in the most difficult of circumstances. The Sisterhood collection celebrates the best-loved classics, written by some of the best female authors in history for International Women's Day.

The village school is to get a new head, and the inhabitants of Turnham Malpas await her arrival with curiosity. At first sight, Kate Pascoe seems ideal. She's young, pretty and obviously loves her job. But when she introduces meditation classes for her ten-year-olds, and even tree-hugging, the villagers begin to think again. Then a strange malaise afflicts the whole village: lights are seen in Sykes Wood at night; a dog long dead appears to come to life, and a sudden shocking death plunges the village into a state of superstitious dread. And always at the eye of the storm is Kate Pascoe...

It is the autobiography of Giorgio Bassani, told in a time span of around 15 years, a time where the ambiguous and mysterious female figure of Micol was a central part of his life. They live in a time where racial laws are being passed by fascist Italy and as a result Micol and her family open the gates of their huge mansion and even bigger garden to a handful of jeweish friends that have been banned from any recreational activity. In this garden Micol guides the narrating "I" figure through the interior journey in search of his identity and maturity. Unfortunately this journey of truth can only end but in the sourest way; the rejection of a deep love felt by the author for Micol, his spiritual guide.

Sara has never left Sweden but at the age of 28 she decides it’s time. She cashes in her savings, packs a suitcase full of books and sets off for Broken Wheel, Iowa, a town where she knows nobody. Sara quickly realises that Broken Wheel is in desperate need of some adventure, a dose of self-help and perhaps a little romance, too. In short, this is a town in need of a bookshop. With a little help from the locals, Sara sets up Broken Wheel’s first bookstore. The shop might be a little quirky but then again, so is Sara. And as Broken Wheel’s story begins to take shape, there are some surprises in store for Sara too…

Philip Roth's entire oeuvre - 31 books - to be reissued in electric new Vintage jackets for October 2016 'This is a vicious, furious book, unapologetically not of this age - it is also horribly funny and unflinchingly honest' New Statesman David Kepesh, white-haired, and now in his sixties, is an eminent cultural critic on NPR radio and a formidable lecturer at a New York college. For years he's been casually, almost habitually, sleeping with the more spirited of his female students, though with an aesthete's critical distance. But now he's met Consuela Castillo, a twenty-four-year-old Cuban student of such head-turning beauty, that Kapesh finds himself dragged helplessly into a quagmire of sexual jealousy and loss. The Dying Animal is a virtuoso performance from Philip Roth, following Kapesh through the tumult of erotic lust and the search for freedom, shackled by a mortal human body.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER - NATIONAL BESTSELLER - With this book, the acclaimed author created an entirely new form--an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities--immigrant, female, Chinese, American. "A classic, for a reason" - Celeste Ng via Twitter As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother's "talk stories." The fierce and wily women warriors of her mother's tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston's sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family's past and her own present.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER - NATIONAL BESTSELLER - With this book, the acclaimed author created an entirely new form--an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities--immigrant, female, Chinese, American. "A classic, for a reason" - Celeste Ng via Twitter As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother's "talk stories." The fierce and wily women warriors of her mother's tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston's sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family's past and her own present.

At midnight where the jasmine blooms, a woman waits for her lover… Sara Archer’s future as the dutiful wife of a British official in India seems assured, until a chance meeting with the gorgeous and powerful Ravi Sabran changes everything. Under the heat of the Indian sun, the veneer of polite society wears off quickly and soon Sara realises that nothing is as it appears to be, especially her husband Charles… But in the beautiful jasmine gardens of the Maharajah’s palace, Sara follows a forbidden path… away from her bullying husband, towards Ravi and the long-buried secrets of her own birth.

When Johnny Pascoe attempts to rescue a sick girl from the Tasmanian outback his plane crashes leaving him dangerously injured. Ronnie Clarke, who was trained by Pascoe, endeavours to fly a doctor in to help but this proves more difficult than he imagined. As he waits overnight at Pascoe's house in order to try again the next day Clarke revisits the past of this unusual man - and reveals the shocking and tragic secrets that have influenced his life.

The discovery of a woman's body and a link to the events of 9/11 take Detective Superintendent Roy Grace around the world in Dead Man's Footsteps, by award-winning crime author Peter James. Now a major ITV series, Grace, adapted for television by screenwriter Russell Lewis and starring John Simm. Amid the tragic mayhem of the morning of 9/11, failed Brighton businessman and ne'er-do-well Ronnie Wilson sees the chance of a lifeline: to shed his debts, disappear and reinvent himself in another country. Six years later the discovery of the skeletal remains of a woman's body in a storm drain in Brighton leads Roy Grace on an enquiry spanning the globe, and into a desperate race against time to save the life of a woman being hunted down like an animal in the streets and alleys of Brighton.